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籠中女【影視解說(shuō)】

類(lèi)型：影視解說(shuō) 地區(qū)：美國(guó) 菲律賓年份：1971 更新時(shí)間：2025-02-14

《籠中女【影視解說(shuō)】》無(wú)盡WJ高清播放資源線(xiàn)路

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《籠中女【影視解說(shuō)】》是有片多多影院提供免費(fèi)在線(xiàn)觀看高清播放地址，籠中女【影視解說(shuō)】是由喜歡綜藝的熱心網(wǎng)友上傳至本網(wǎng)站，本部作品是由導(dǎo)演Gerardo,de,Leon，主演Pam,Grier,Jennifer,Gan,Roberta,Collins,Judith,M.,Brown等一起努力共同拍攝完成的，本片在故事情節(jié)、角色塑造、制作設(shè)計(jì)等方面都表現(xiàn)出色，更在思想深度上有所突破是一部值得推薦觀看的作品，該作品在1971年上映于美國(guó) / 菲律賓地區(qū)，豆瓣好評(píng)居高不下。籠中女【影視解說(shuō)】劇情簡(jiǎn)述　Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”　　“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.　　In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.